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The history of ink traces the development of writing and printing fluids from ancient natural pigments to modern chemical, electronic, and digital applications. More Less
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2600 BC - 2501 BC
Ink was used in Ancient Egypt for writing and drawing on papyrus from at least the 26th century BC.
Image source: Ink
2600 BC - 2501 BC
Ancient Egyptian ink served as a writing medium on papyrus, one of the earliest documented uses identified in the supplied historical account.
Image source: Papyrus
2600 BC - 2501 BC
In addition to writing, ink was used in Ancient Egypt to create drawings on papyrus.
2600 BC - 1199
The recipe associated with early ink use was used for centuries, demonstrating the long continuity of ink-making practices.
800 - 1500
Vellum was one of the principal writing surfaces used by medieval European scribes between about AD 800 and 1500.
800 - 1500
Medieval European manuscript production relied principally on writing with ink on parchment or vellum.
Image source: Illuminated manuscript
800 - 1500
During the medieval period, scribes in Europe wrote principally on parchment or vellum.
Image source: Parchment
1100 - 1899
Iron gall ink was widely thought to be the best type of ink during the long period in which it was commonly used.
1100 - 1899
After becoming prominent in the early 12th century, iron gall ink continued to be used for centuries.
1100 - 1199
Iron gall inks became prominent in the early 12th century.
1100 - 1199
The same 12th-century recipe called for the cut hawthorn branches to be left to dry before further preparation.
1100 - 1199
Water was used in the Greek and Roman writing ink made from soot and glue.
1100 - 1199
A 12th-century ink recipe instructed makers to cut hawthorn branches in the spring.
1100 - 1199
Gum was included in the ink mixture composed of ferrous sulfate, gall, gum, and water.
1100 - 1199
Gall was one of the defining ingredients in the 12th-century ink variety that also contained ferrous sulfate, gum, and water.
1100 - 1199
The other prevalent variety was composed of ferrous sulfate, gall, gum, and water.
1100 - 1199
Glue formed part of the Greek and Roman writing-ink mixture, together with soot and water.
1100 - 1199
Soot was an ingredient in the Greek and Roman writing ink described in the supplied account.
1100 - 1199
One of the two ink types prevalent in the relevant historical comparison was Greek and Roman writing ink, made from soot, glue, and water.
1400 - 1499
The emergence of the printing press in Europe created the need for a new type of ink in the 15th century.
Image source: Printing press
1400 - 1499
In the 15th century, a new type of ink had to be developed in Europe for the printing press by Johannes Gutenberg.
Image source: Johannes Gutenberg
1800 - 1899
Kerner's art used inkblots, called German Tinten-Klecks, as the basis for images.
1800 - 1899
In the 19th century, German poet Justinus Kerner invented klecksography, the art of making images from inkblots.
1857
In 1857, Justinus Kerner published Klecksographien, a book combining klecksographs and poetry.
1896
In 1896, a similar book titled Gobolinks, or Shadow-Pictures for Young and Old was published in the United States.
1962
Election ink based on silver nitrate was developed at the National Physical Laboratory of India before its first reported electoral application.
1962
Silver-nitrate-based election ink was first applied during the 1962 Indian general election.
2014
Indonesia used election ink in its 2014 election.
1940
Iron gall ink is corrosive and damages paper over time, a problem discussed in the cited 1940 source.
1972
The amount of ink deposited on paper is one factor affecting how quickly the writing fades.
1972
Paper composition is another factor affecting the rate at which ink writing fades.
1972
The rate at which writing fades depends partly on the proportions of the ink's ingredients, according to the cited 1972 discussion.
1972
According to Barrow's 1972 guidance, the best method of preserving a document written in carbon ink is to store it in a dry environment.
1999
Aqueous treatment can change the texture of ink, one of the consequences reported in the cited 1999 source.
1999
Another possible consequence of aqueous treatment is the formation of plaque on the surface of the ink.
2000
A 2000 American Libraries report stated that the majority of the relevant works were held by the German State Library and that about 25 percent were in advanced stages of decay.
2004
Corrosion in iron gall ink damage is caused in part by acid-catalyzed hydrolysis of cellulose, as described in the cited 2004 research.
2004
Iron(II)-catalyzed oxidation of cellulose is another chemical mechanism identified as causing corrosion.
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