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500 BC - 201 BC
Works in China have been dated to the Warring States period, demonstrating that embroidery was an established textile art in China by the fifth to third centuries BC.
Image source: Embroidery
500 BC - 201 BC
Embroidery from Warring States China represents some of the earliest dated evidence for the technique and reflects the development of decorative needlework in ancient East Asia.
500 BC - 201 BC
During the Warring States period, embroidered decoration formed part of the broader development of sophisticated Chinese textile production.
1066
The Bayeux Tapestry was produced as an embroidered cloth depicting the events leading up to the Norman Conquest of England and the Battle of Hastings.
Image source: Bayeux Tapestry
1066
The Bayeux Tapestry records the conflict between William, Duke of Normandy, and Harold II, King of England, culminating in the Battle of Hastings.
1066
One of the central subjects of the Bayeux Tapestry is the Battle of Hastings, the decisive battle of the Norman Conquest.
1066 - 1075
The Bayeux Tapestry is thought to date to the eleventh century, within a few years of the events it portrays.
1075
The Bayeux Tapestry is one of the oldest complete embroidered works still in existence.
1075
The surviving embroidered cloth is nearly 70 metres long and 50 centimetres tall, giving it an unusually extensive narrative format.
1500 - 1599
The use of embroidery on Bibles and religious texts connected needlework with book culture and devotional objects in sixteenth-century England.
1500 - 1599
Embroidered book bindings became a notable form of decorative needlework in England during the sixteenth century.
1500 - 1599
In sixteenth-century England, books—especially Bibles and other religious texts—were sometimes finished with embroidered bindings.
1583
An embroidered book presented to Queen Elizabeth I in 1583 is preserved in the Bodleian Library in Oxford.
1583
The Bodleian Library in Oxford contains the embroidered book presented to Queen Elizabeth I in 1583, providing surviving evidence of elite English book embroidery.
Image source: Bodleian Library
1600 - 1699
The seventeenth-century Turkish traveler Evliya Çelebi called embroidery the “craft of the two hands,” emphasizing the manual skill required.
1600 - 1699
Evliya Çelebi’s description of embroidery provides a seventeenth-century contemporary characterization of the craft and its reliance on coordinated handwork.
Image source: Evliya Çelebi
1700 - 1899
Quilting, alongside stitching and dressmaking, became a familiar women’s hobby during the eighteenth and nineteenth centuries.
1700 - 1899
Dressmaking became part of the broader group of needlework-related hobbies with which women became acquainted during the eighteenth and nineteenth centuries.
Image source: Dressmaker
1700 - 1899
Stitching was increasingly learned and practiced as a domestic pastime by women during the eighteenth and nineteenth centuries.
1700 - 1899
Between the eighteenth and nineteenth centuries, stitching, dressmaking, and quilting became familiar hobbies for women.
1700 - 1799
The trend toward richly embroidered secular objects extended from England into its colonies during the eighteenth century.
1700 - 1799
The wider availability of luxury materials supported the appearance of richer embroidery in eighteenth-century secular life.
1700 - 1799
The rise of the merchant class helped create new demand for richly embroidered goods in eighteenth-century England and its colonies.
1700 - 1799
In eighteenth-century England and its colonies, rich embroideries began to appear in secular contexts rather than being limited primarily to religious or ceremonial use.
1900 - 1925
By the early twentieth century, large reform movements sought to incorporate embroidery into women’s education and vocational training.
1832
Josué Heilmann invented the first embroidery machine, a hand embroidery machine, in France in 1832.
1832
Heilmann’s 1832 invention mechanized aspects of hand embroidery and marked an early step toward machine-made embroidered textiles.
1850 - 1899
The manufacture of machine-made embroideries in St. Gallen, eastern Switzerland, flourished during the latter half of the nineteenth century.
1850 - 1899
St. Gallen became an important center for the production of machine-made embroidery during the second half of the nineteenth century.
1900 - 1925
Mass-produced machine embroidery emerged in the early twentieth century, transforming embroidery from primarily hand production into an industrial process.
1900 - 1925
Many Swiss and Germans immigrated to Hudson County, New Jersey, in the early twentieth century and helped develop a machine embroidery industry there.
1900 - 1925
Hudson County, New Jersey, became a site of machine embroidery development through the work of Swiss and German immigrants.
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