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The violin is a bowed string instrument that emerged in northern Italy during the early 16th century, evolving from earlier bowed instruments like the medieval fiddle and rebec. Master luthiers such as Andrea Amati, Antonio Stradivari, and Giuseppe Guarneri perfected its design in Cremona, creating instruments still prized centuries later. Over time, the violin became central to orchestral music, chamber music, and solo performance, while also adapting to folk traditions worldwide and modern genres like jazz, bluegrass, and rock. More Less
801 - 900
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The history of bowed string instruments in Europe goes back to the 9th century with the Eastern Roman/Byzantine lyra (or lūrā), a pear-shaped bowed instrument that would become the ancestor of later European bowed strings.
Image source: Byzantine lyra
813
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A 9th-century writer cited the bowed Byzantine lyra as a typical instrument of the Byzantines, noting it was equivalent to the rabāb used in the Islamic Empires of that time.
1001 - 1200
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The Byzantine lyra spread through Europe westward, and in the 11th and 12th centuries European writers used the terms fiddle and lira interchangeably when referring to bowed instruments.
1200 - 1500
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Europe continued to have two distinct types of bowed instruments: one relatively square-shaped, held in the arms, known as the lira da braccio ('viol for the arm') family; the other, with sloping shoulders and held between the knees, known as the lira da gamba or viola da gamba ('viol for the leg') group.
Image source: Lira da braccio
1400 - 1600
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Violins are likely to have been developed from a number of other string instruments of the 15th and 16th centuries, including the vielle, rebec, and lira da braccio.
1500 - 1525
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The violin, viola and cello were first built in the early 16th century in Italy, marking the birth of the modern violin family.
Image source: Violin
1530
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In his Madonna of the Orange Tree, painted in 1530, a cherub is seen playing a bowed instrument which clearly has the hallmarks of violins.
Image source: Madonna of the Orange Tree
1538
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The first extant written use of the Italian term violino occurs in 1538, when 'violini Milanesi' (Milanese violinists) were brought to Nice when negotiating the conclusion of a war.
1555
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Around 1555, the French court imported a dance band of Italian violinists, helping to popularize the violin among the nobility.
Image source: Catherine de' Medici's court festivals
1556
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The Académie musicale, a treatise written in 1556 by Philibert Jambe de Fer, gives a clear description of the violin family much as it is known today.
1556
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The Académie musicale by Philibert Jambe de Fer provides the earliest clear description of the violin family much as it is known today, confirming its established place in 16th-century music.
1573
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In 1573, during one of Catherine de' Medici's celebrations, an observer wrote that 'the music was the most melodious one had ever seen and the ballet was accompanied by some thirty violins playing very pleasantly a warlike tune.'
1550 - 1750
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From Andrea Amati through Stradivari, Cremona became the preeminent center of violin making during the 16th to 18th centuries, producing instruments still regarded as the finest ever created.
Image source: Cremona
1558
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The Metropolitan Museum of Art has an Amati violin that may be even older than the Charles IX, possibly dating to 1558, but just like the Charles IX the date is unconfirmed.
Image source: Andrea Amati
1560 - 1574
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The violin quickly became very popular, both among street-musicians and the nobility, illustrated by the fact that Charles IX of France commissioned an extensive range of string instruments in the second half of the 16th century.
1564
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The oldest confirmed surviving violin, dated inside, is the 'Charles IX' by Andrea Amati, made in Cremona in 1564, though the label is very doubtful.
1600 - 1700
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The overall pattern for the instrument was set in the 17th century by luthiers like the prolific Amati family, whose designs were followed by many makers at the time and since.
1600 - 1683
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Jacob Stainer of Tyrol was one of the great luthiers who set the overall pattern for the instrument in the 17th century, with many makers at the time and since following his templates.
Image source: Jacob Stainer
1666 - 1737
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Antonio Stradivari, together with the Amati family and Jacob Stainer, set the overall pattern for the violin in the 17th century; his instruments remain the most sought-after ever made.
Image source: Antonio Stradivari
1716
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One of the most famous and certainly the most pristine violins is the Messiah Stradivarius (also known as the 'Salabue') made by Antonio Stradivari in 1716. It has been very little played, perhaps almost never, and remains in an as-new state.
Image source: Messiah Stradivarius
1800 - 1900
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Nearly all old instruments were modified, including lengthening of the neck by one centimeter, in response to the raising of pitch that occurred in the 19th century.
1800 - 1925
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Many 19th and early 20th century instruments shipped from Saxony were in fact made in Bohemia, where the cost of living was less.
Image source: Bohemia
1800 - 2000
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In the 19th and 20th centuries numerous violins were produced in France, Saxony and the Mittenwald in what is now Germany, in the Tyrol (now parts of Austria and Italy), and in Bohemia, now part of the Czech Republic.
1800 - 1900
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In the 19th century, the fingerboard was made a little longer to allow players to reach even the highest notes on the instrument.
Image source: Fingerboard
1820
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The chinrest was invented in the early 19th century by Louis Spohr, improving the comfort and stability of violin playing.
Image source: Chinrest
1880 - 1914
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About seven million violin family instruments and basses, and far more bows, were shipped from Markneukirchen between 1880 and 1914.
Image source: Markneukirchen
1899 - 1925
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In the late 19th and early 20th centuries, before electronic sound amplification became common, Stroh violins—using a metal horn for amplification—were used particularly in the recording studio.
Image source: Stroh violin
1900 - 2000
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The history of the electric violin spans the entire 20th century, as makers experimented with amplifying and electrifying the traditional acoustic instrument.
Image source: Electric violin
1900 - 1949
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Over twenty different inventions related to the violin appear in the patent books up to 1949, reflecting ongoing innovation in the instrument's design and amplification.
2001
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The five-string electric violin built by John Jordan in the early 21st century is tuned C–G–D–A–E, adding a lower C string to extend the instrument's range.
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