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Flamenco is a passionate art form combining song (cante), dance (baile), and guitar playing (toque) that originated among the Romani communities of Andalusia, southern Spain. Emerging from a fusion of Romani, Moorish, Jewish, and Andalusian folk traditions, flamenco evolved from intimate gatherings into professional performances in cafés cantantes, gained international fame in the 20th century, and was declared a Masterpiece of the Oral and Intangible Heritage of Humanity by UNESCO in 2010. More Less
1400
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Upon arrival to Andalusia in the 15th century, the Roma were exposed to the rich Arab-Andalusian music culture. This centuries-long period of cultural intermingling formed the roots of flamenco song and dance genres.
Image source: Flamenco
1500
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The alternation of groups of 2 and 3 beats was common in Spanish folk dances of the 16th century such as the zarabanda, jácara, and canarios, rhythmic patterns that would echo through flamenco's characteristic compás.
1516
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According to the less successful hypotheses of Felipe Pedrell and Carlos Alemendros, the term flamenco, Spanish for Flemish, may be synonymous with cantador (professional singer), in reference to a group of Flemish singers brought by Spanish King Carlos I in 1516.
1600
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In the 17th century the fandango was the most widespread song and dance throughout Spain, eventually generating local and regional variants, especially in the province of Huelva.
Image source: Fandango
1774
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The oldest record of flamenco music dates to 1774, appearing in the book Las Cartas Marruecas (The Moroccan Letters) by José Cadalso.
1783
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In 1783 Carlos III promulgated a pragmatics regulating the social situation of the gitanos. This momentous event saw them, after centuries of marginalization and persecution, gain substantially improved legal status.
1790
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It is believed the flamenco genre emerged at the end of the 18th century in cities and agrarian towns of Baja Andalusia, highlighting Jerez de la Frontera as the first written vestige of this art, though manifestations of this time were more typical of the bolero school than of flamenco.
1800
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The origins of the term lie in sociological prejudice towards the Roma, who were seen as ruffians and cocky troublemakers and were thus associated with 18th century German colonists of the Sierra Morena who formed groups of urban Bohemians living outside the law.
1800 - 1825
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During the end of the 18th and beginning of the 19th century, a number of factors led to the rise in Spain of a phenomenon known as 'Costumbrismo Andaluz' or 'Andalusian Mannerism', which fostered interest in Andalusian customs including early flamenco.
1812
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After the Spanish War of Independence (1808–1812), a feeling of racial pride developed in the Spanish conscience in opposition to the 'gallified' afrancesados, Spaniards influenced by French culture and Enlightenment ideas, boosting appreciation of native Andalusian arts.
1847
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The first use of the term flamenco to refer to the music genre appears in an 1847 newspaper article of El Espectador, where it was referred to as a 'gitano genre'.
1817
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Antonio de Torres Jurado (Almería, 1817–1892) is considered the father of the guitar; his instrument designs shaped the modern classical and flamenco guitar.
Image source: Antonio de Torres Jurado
1850 - 1900
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Bulerías originated among the Calé Romani people of Jerez during the 19th century, originally as a fast, upbeat ending to soleares or alegrías, becoming one of flamenco's most emblematic palos.
Image source: Bulerías
1860
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One of the first touches considered flamenco, the 'rondeña', was the first composition recorded for solo guitar, performed by Julián Arcas (1832–1882) in Barcelona in 1860.
Image source: Julián Arcas
1864
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Manuel Ramírez de Galarreta, the Great Ramírez (Madrid, 1864–1920), became one of the main guitar makers, training disciples Santos Hernández (1873–1943), who built guitars for Sabicas, along with Domingo Esteso and Modesto Borreguero.
Image source: Ramírez Guitars
1881
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In 1881 Silverio Franconetti opened the first flamenco singer café (café cantante) in Seville, providing a crucial venue where flamenco cante could be professionalized and popularized.
Image source: Silverio Franconetti
1900 - 2000
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Due to the expansion of the Sevillanas in Baja Andalusia, the fandango gradually lost its role as support for dance, which allowed the singer to shine freely, generating a multitude of fandangos of personal creation in the 20th century.
1920
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Flamenco has both influenced and been influenced by Ballet Clásico Español, evidenced by fusions created by 'La Argentinita' in the early part of the 20th century, later by Joaquín Cortés, and eventually by the entire Ballet Nacional de España.
Image source: La Argentinita
1920 - 1955
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Between 1920 and 1955, flamenco shows began to be held in bullrings and theaters under the name 'flamenco opera', bringing the art to massive audiences across Spain.
Jun 1922
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In the line of purism, composer Manuel de Falla and poet Federico García Lorca helped organize the Concurso de Cante Jondo in Granada in 1922, an effort to dignify and preserve what they regarded as the deepest forms of Andalusian song.
Image source: Concurso de Cante Jondo
1954
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In 1954 Hispavox published the first Antología del Cante Flamenco, a sound recording that shocked its time, which was dominated by orchestrated cante and consequently mystified audiences.
1955
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In 1955, the Argentine intellectual Anselmo González Climent published the essay Flamencología, baptizing the 'set of knowledge, techniques, etc., on flamenco singing and dancing.' The book dignified flamenco study through academic methodology of musicology.
1956
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According to the RAE dictionary, the 'duende' in Andalusia is a 'mysterious and ineffable charm', a charisma that the gitanos call duende — a concept central to authentic flamenco performance.
Image source: Duende (art)
1956
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As a result of the growing scholarly interest in flamenco, the National Contest of Cante Jondo de Córdoba was organized in 1956, further legitimizing the art form.
1958
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In 1958 the first flamencology chair was founded in Jerez de la Frontera, the oldest academic institution dedicated to the study, research, conservation, promotion and defense of the flamenco art.
1963
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In 1963 the Cordovan poet Ricardo Molina and Sevillian cantaor Antonio Mairena published Alalimón Mundo y Formas del Cante Flamenco, which has become a must-have reference work.
Image source: Antonio Mairena
1972
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Paco de Lucía's 1972 album El Duende Flamenco de Paco de Lucía is described as an important record in flamenco-guitar history, in which the composer plays with orchestra in several pieces.
Image source: Paco de Lucía
1984
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Medea was originally created as a ballet score in 1984 for the Ballet Nacional de España with choreography by José Granero, later existing in a 2002 version for two guitars and orchestra and a 2012 version for solo guitar and orchestra.
Image source: Flamenco guitar
1985
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Codarts Rotterdam states that flamenco guitar was added to its curriculum in 1985 under maestro Paco Peña at the Rotterdam Conservatory, before comparable formal studies were available in Spain itself.
1988
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Flamenco guitar studies in official educational centers began in Spain in 1988 thanks to concert performer and teacher Manuel Cano Tamayo from Granada, who obtained a position as emeritus professor at the Superior Conservatory de Música Rafael Orozco in Córdoba.
1989
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Camarón de la Isla's 1989 album Soy Gitano was released with the Royal Philharmonic Orchestra and Tomatito, becoming one of the most celebrated recordings in flamenco history.
1991
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Paco de Lucía's 1991 recording of Joaquín Rodrigo's Concierto de Aranjuez became a notable example of a flamenco guitarist entering canonical classical-guitar repertory.
Image source: Concierto de Aranjuez
2007
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This art was institutionalized until it reached the point that the Junta de Andalucía was attributed in 2007 'exclusive competence in matters of knowledge, conservation, research, training, promotion and dissemination' of flamenco.
Nov 16, 2010
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On 16 November 2010, UNESCO declared flamenco one of the Masterpieces of the Oral and Intangible Heritage of Humanity, recognizing its global cultural significance.
2011
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In 2011 this style became known in India thanks to María del Mar Fernández, who acted in the video clip of the film You Live Once, entitled Señorita.
Dec 2015
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Traditional cantes have been maintained to this day, with the Zambomba Jerezana being spatially representative, declared an Asset of Intangible Cultural Interest by the Junta de Andalucía in December 2015.
2018
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In 2018 the first university master's degree in flamenco research and analysis began, following previous attempts like the 'Doctorate Program of Approach to Flamenco' taught by universities such as Huelva, Seville, Cádiz and Córdoba.
2019
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Since 2019 the discussion over the difference between flamenco and new flamenco has gained strength due to the success of new flamenco attracting young Spanish fans and international audiences, raising the question of how to name this new genre mixed with flamenco.
2024
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A computational study analyzing more than 2000 flamenco lyrics applied natural language processing and machine learning techniques to classify songs by palo, bringing data science methods to flamencology.
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