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The history of Chinese music spans thousands of years, beginning with ritual and court music in ancient dynasties such as the Shang and Zhou, developing through classical forms like guqin music and opera during the Tang, Song, Ming, and Qing dynasties, and evolving into contemporary genres including modern Chinese pop (C-pop) that blend traditional elements with global influences. More Less
1000 BC
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Based on conjecture that recorded examples of Chinese music are ceremonial, scholars believe ceremonies employing music existed perhaps more than one thousand years before Christ, and that compositions were performed in precisely the manner prescribed by later written sources from the seventh century AD.
Image source: Music of China
700 BC
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Around or before the 7th century BC, a system of pitch generation and pentatonic scale was derived from a cycle-of-fifths theory, laying an important foundation for Chinese musical theory.
Image source: Pentatonic scale
600 AD
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Instruments of Central Asian origin such as the pipa were adopted in China. The Indian heptatonic scale was also introduced in the 6th century by a musician from Kucha named Sujiva, although the heptatonic scale was later abandoned.
Image source: Pipa
650 AD
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The oldest extant written Chinese music is "Youlan" (幽蘭) or the Solitary Orchid, composed during the 6th or 7th century, though it has also been attributed to Confucius.
Image source: Jieshi Diao Youlan
800
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The duxianqin ("single string zither"), a string instrument with only one string, is said to date back to the 8th century.
Image source: Duxianqin
1150
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The most famous performer of Guangxi is the legendary Zhuang folksinger Liu Sanjie (Third Sister Liu), born in Guangxi during the Southern Song dynasty (1127–1279). She was later the subject of the 1961 film Liu Sanjie, which introduced Guangxi's culture to the rest of the world.
Image source: Liu Sanjie
1253
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The Nakhi people of Lijiang play a type of song and dance suite called baisha xiyue, which was supposedly brought to the region by Kublai Khan in 1253.
1601
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The presence of European music in China appeared as early as 1601 when the Jesuit priest Matteo Ricci presented a harpsichord to the Ming imperial court, and trained four eunuchs to play it.
Image source: Matteo Ricci
1900
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A Russian orchestra was in operation in Harbin from the early 20th century, contributing to the beginnings of a unique classical music tradition in China.
Image source: Harbin
1915 - 1925
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In the early 20th century after the end of Imperial China, there were major changes to traditional Chinese music as part of the New Culture Movement.
1920 - 1960
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Many traditional instruments underwent changes in the early to mid 20th century which had a profound effect on the performance and sound of Chinese music; a Western equal temperament is now used to tune most traditional instruments, making them seem more harmonious but robbing them of their traditional voices.
1920
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The term guoyue, or national music, became popular in the early 20th century and was used loosely to include all music written for Chinese instruments in response to a particular nationalistic consciousness.
Image source: Hongqi Guoyue
1920
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Twentieth-century cultural philosophers like Xiao Youmei, Cai Yuanpei, Feng Zikai and Wang Guangqi wanted to see Chinese music adopted to the best standard possible.
Image source: Xiao Youmei
1925
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While foreign orchestras existed earlier, the beginnings of a unique classical music tradition in China lie with the first foreign trained Chinese conductor, Zheng Zhisheng, also romanized as Yin Zizhong.
1935
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The modern Chinese orchestra was created in the 20th century modeled on the Western symphony orchestra but using Chinese instruments.
Image source: Chinese orchestra
1942
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After the 1942 Yan'an Forum on Literature and Art, a large-scale campaign was launched in Chinese Communist Party-controlled areas to adapt folk music to create revolutionary songs to educate the largely illiterate rural population on party goals.
Image source: Yan'an Forum
Oct 1, 1949
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In 1949 the Kuomintang relocated to Taiwan, and the People's Republic of China was established, reshaping the cultural landscape of Chinese music on both sides of the strait.
Image source: History of the People's Republic of China
1950
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In mainland China a new term minyue (民乐, short for minzu yinyue or "people's music") was coined post-1949 in place of guoyue to encompass all compositions and genres for traditional instruments.
Image source: Minyue
1952
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Record companies of Shanghai such as Baak Doi left China in 1952, marking a major shift in the commercial music industry of mainland China.
Image source: Shanghai
1961
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The 1961 film Liu Sanjie, about the legendary Zhuang folksinger Third Sister Liu, introduced Guangxi's music and culture to the rest of the world.
1971
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Two collaborators released Tibetan Bells, perhaps the first fusion of New Age and Tibetan influences, in 1971.
1998
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Nangma karaoke bars appeared in 1998 and are common in Lhasa, in spite of threats from the Chinese government.
2020
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The pipa, a kind of lute believed to have been introduced from the Arabian Peninsula area during the 6th century and adapted to suit Chinese tastes, remains most popular in Shanghai and surrounding areas.
1979
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The Peking All-Stars were a rock band formed in Beijing in 1979 by foreigners then resident in the Chinese capital, an early milestone of rock music in China.
Image source: Chinese rock
1988
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Cui Jian became the most famous rock performer of his time, and by 1988 he performed at a concert broadcast worldwide in conjunction with the Seoul Summer Olympic Games.
1989
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After the Tiananmen Square protests of 1989, Cui Jian played with a red blindfold around his head as an action against the government.
1989
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After the 1989 Tiananmen Square protests and massacre, a new fast tempo Northwest Wind style was launched by protesters to counter the government.
1994 - 1996
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Around 1994–96, the first thrash metal band in China, Chao Zai (Overload), was formed.
1994
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One of the earliest and most renowned punk-influenced Chinese artists was He Yong, whose debut album Garbage Dump was released in 1994.
1996
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In 1996, UnderBaby's song "All the Same" - "All One Yang" was included in the Chinese indie rock album "China Fire II", thus gaining national recognition.
1997
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Formed in Nanjing in 1997, post-punk group P.K.14 became one of China's most influential independent bands.
2001
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P.K.14 moved to Beijing in 2001 and released their first album 'Upstairs, Turn Left' the same year.
2003
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While rock has existed in China for decades, the milestone that put the genre on the international map was when Cui Jian played with The Rolling Stones in 2003, at the age of 42.
Image source: Cui Jian
2007
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P.K.14's singer-songwriter Yang Haisong has produced many of the Chinese indie music scene's most celebrated albums, including Carsick Cars' 2007 eponymous debut album, working with independent record labels such as Maybe Mars and Modern Sky.
Image source: Carsick Cars
2000
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The beginning of the 21st century has seen an increasing number of mainland Chinese artists producing a wide range of Mandarin pop songs and the release of many new albums.
Image source: Mandopop
2002
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There was also the "Snow Mountain Music Festival" in Yunnan province in 2002, a notable event in China's developing festival scene.
Image source: Hinterland Music Festival
2005
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Pop music continued to increase in popularity in mainland China, and by 2005, China had overtaken Taiwan in terms of the retail value of its music sales.
Image source: Music industry
Aug 8, 2008 - Aug 24, 2008
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Many popular mainland Chinese, Hong Kong and Taiwanese music artists were included in promotions for the 2008 Beijing Olympics.
Image source: 2008 Summer Olympics
2015
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In 2015, the digital music market in China was expected to be worth US$2.1 billion, reflecting rapid growth in online streaming and downloads.
Image source: Digital audio
2015
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In 2015 China had the 14th largest music market in the world, with revenues of US$170 million.
2016
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As of 2016 there were 213 music charts in China, reflecting the country's rapidly diversifying music landscape.
2016
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As of 2016, the three largest music streaming and download services in China were KuGou, with a 28% share of the market, QQ Music with 15% and Kuwo with 13%.
2020
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China was expected to become one of the largest music markets in the world by 2020, driven by its enormous population and booming digital streaming sector.
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