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Tango is a passionate dance and musical genre that originated in the working-class port neighborhoods of Buenos Aires and Montevideo in the late 19th century. Born from a blend of African, European, and indigenous influences, tango evolved from marginal milongas to elegant Parisian ballrooms, experiencing a golden age in the mid-20th century before spreading worldwide as a symbol of Argentine culture. More Less
1850
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Even though the present forms of tango developed in Argentina and Uruguay from the mid-19th century, there are earlier written records of Tango dances in Cuba and Spain. A flamenco Tangos dance also exists that may share a common ancestor in a minuet-style European dance.
Image source: Tango
1850
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All sources stress the influence of the African communities and their rhythms on the development of tango. These rhythms formed a crucial foundation upon which other musical traditions would later build.
1860
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The instruments and techniques brought in by European immigrants played a major role in the final definition of tango, relating it to the salon music styles to which Tango would contribute back at a later stage, when it became fashionable in early 20th century Paris.
1880
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In the late 19th and early 20th centuries, Argentina experienced a significant wave of immigration that transformed its demographic composition, bringing together diverse cultural influences that shaped tango.
Image source: Immigration to Argentina
1902
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In 1902, the Teatro Opera started to include tango in their balls, marking an important milestone in tango's journey toward wider social acceptance in Buenos Aires.
1870
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In about 1870, the bandoneon was introduced to Buenos Aires from Germany. It would become linked inextricably with tango music starting in about 1910, becoming the defining instrument of the genre.
Image source: Bandoneon
1900
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During the first decade of the 20th century, some songs under the name of tango were recorded, but these recordings did not achieve great popularity at the time.
Image source: Tango music
1903 - 1910
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During the period of 1903–1910, over a third of the 1,000 gramophone records released were of tango music, and tango sheet music sold in large quantities, showing the genre's growing commercial appeal.
1910
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Starting in about 1910, the bandoneon became linked inextricably with tango music, cementing its role as the signature sound of the genre after its introduction decades earlier.
1910 - 1920
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Between 1910 and 1920, tango featured on 2,500 of the 5,500 records released, demonstrating its overwhelming dominance in the recording industry during this decade.
1912
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In 1912, Juan "Pacho" Maglio was very popular with his recorded tangos featuring the bandoneon accompanied by flute, violin and guitar, helping define the sound of early recorded tango.
Image source: Juan Maglio
1916
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In 1916, Roberto Firpo, an extremely successful bandleader of the period, cemented the instrumentation for the standard tango sextet: two bandoneons, two violins, piano and double bass.
Image source: Roberto Firpo
1917
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In 1917, folk singer Carlos Gardel recorded his first tango song Mi Noche Triste, forever associating tango with the feeling of tragic love as revealed in the lyric.
Image source: Mi noche triste
1917
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With Mi Noche Triste, Carlos Gardel established the sung tango as a vehicle for expressing tragic love, a theme that would define the genre's lyrical identity for generations.
Image source: Carlos Gardel
1920
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Classically trained musicians were not associated with tango music until Julio De Caro, violinist, formed an orchestra in 1920 and made the tango more elegant, complex and refined.
Image source: Julio de Caro
1920
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As part of his refinements, Julio De Caro changed the time signature of most tango pieces from 2/4 to 4/4, fundamentally altering the rhythmic feel of the genre.
1921
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In 1921, 'El Sonido de la Milonga' helped bring about the rise of tango, and introduced it properly as a form to the people, expanding its audience significantly.
1912
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By 1912, dancers and musicians from Buenos Aires travelled to Europe, carrying the tango across the Atlantic and igniting enthusiasm on the continent.
1912
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The first European tango craze took place in Paris, where the dance captivated fashionable society and soon spread to other capitals across the continent.
1912
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Following the initial craze in Paris, London, Berlin, and other capitals quickly embraced the tango, making it one of the most fashionable dances in Europe.
Dec 1913
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Towards the end of 1913, the tango hit New York in the United States, extending the global dance craze beyond Europe to North America.
Dec 1913
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Towards the end of 1913, tango also arrived in Finland, where it would take root deeply and eventually develop into a distinctive national tradition known as Finnish tango.
Image source: Finnish tango
1921
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Italian actor Rudolph Valentino popularized the tango in America, particularly after his electrifying, sensual performance in the 1921 silent film The Four Horsemen of the Apocalypse.
Image source: The Four Horsemen of the Apocalypse (1921 film)
1921
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The film's famous tango scene catapulted Rudolph Valentino to stardom and sparked a widespread tango craze, making the dramatic Argentine dance a huge sensation throughout the Roaring Twenties.
Image source: Rudolph Valentino
1913
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In 1913, tango began to move from the dark side of town to elegant dance palaces, shedding some of its disreputable origins and gaining respectability among the upper classes.
1922
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In 1922, guidelines were first set for the "English" (international) style of ballroom tango, codifying a standardized form of the dance for competition and social dancing.
Image source: Ballroom tango
1922
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After guidelines were set for the English style, ballroom tango lost popularity in Europe to new dances including the foxtrot and samba, and as dancing as a whole declined due to the growth of cinema.
1929
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In Argentina, the onset in 1929 of the Great Depression caused tango to decline, as economic hardship reduced the audiences and venues that sustained the genre.
Image source: Great Depression
1930
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Restrictions introduced after the overthrow of the Hipólito Yrigoyen government in 1930 further contributed to the decline of tango in Argentina during this turbulent period.
Image source: Hipólito Yrigoyen
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